Caryl Churchills Top Girls English Literature Essay

Caryl Churchills bring in Girls English Literature EssayCaryl Churchill has a reputation for producing work that examined contemporaneous issues, often in ch totallyenging and confrontational miens and Top girls is no exception. It can be seen in the light of a feminist bidding due to the reoccurring question that comes up while reading the act of what it nitty-gritty to be a no-hit charcleaning lady. Throughout this essay, I will introduce what is wrong with macrocosm a prime girl.At the stock of the wanton away you argon introduced to the main personality, Marlene, who is a covert girl. A top girl being a woman who is successful in her c beer. During the recreate you become awargon that Marlene is at the peak of her career and has come a long way from working class to almost upper centerfield class only when that she has do some sacrifices along the way to take up her position. First, she gave her baby to her sister, Joyce (p. 80). Next to that, it appears that she has also sacrificed her personal life. She seems to have no truly friends to invite to the dinner party and therefor invites historical wo men. Marlene also has difficulties to mystify a man that will accept her as the successful woman that she is and that will not try to modification her into a little woman (p. 83).Although Marlene built herself up in her career and is an educated woman, in a different perspective, she is not a top girl. She was not qualified to wipe out e actuallything she had and succeed while dealing with it all hence leaving her minor to her sister. According to Marlene she had to choose between her career and being a return (p. 80). However, Marlenes sister Joyce has sacrificed her personal life and goals to raise her sisters child. Leaving us to question, what soundly is it being a top girl if its at the get down of early(a) women?According to a feminist view of compare, drive, ambition and ability, Marlene should have been able to captivate her career and her motherhood. She should have not worried to the highest degree lacking out on opportunities. You can conclude at the end of the play that Marlene is not a feminist at all but that she is real much an individualist I believe in the individual (p. 84). She worries about herself and her testify needs rather of rising to her own personal responsibilities. She believes that everyone creates their own luck because, as she tells her sister Joyce, Anyone can do anything if theyve got what it takes (p. 86).Marlene is a film director at a top girl company and is holding interviews for hatful to work at the company. During the interviews you notice how ruthless and cold (p. 46) Marlene is in parity to the working world and to who is or is not qualified decorous to brace the position. You see her take the role of a very transmission line-like male position (p. 31). She interrupts the interviewee during their meeting and is very direct in telling them whether they h ave authorization to join the company or not (p. 30).More everywhere, Marlene is very aware of her probable and believes that men and woman should have the same rights/opportunities. She makes this clear when she discusses with Howards wife, the man who anomic the management position to her, about how the position was given to the most deserve person (p.p 58-59). Howards wife picks up on her male attitude and accuses Marlene of being masculine and unnatural (p. 59).Her co-workers hold the same view as Marlenes, in relation to rejecting the traditional female aspirations of starting a family, and they would rather taper on their careers like Marlene did (p. 58). One co-worker, Nell, does not want to get marry (p. 48) and the other, Win, is having an affair with a espouse man (p. 45).In Act 2, expression 3 you hear Marlenes co-workers talking about their weekend. Win suggests that Nell could get married and continue working. Nells response is a very unnatural one or I could go on working and not marry him (p. 48). She is sharp to use men for her own pleasure but not to attract to any. When the play was written, in 1982, this response would have been seen more as a male response than a female due to the fact that this was far-off more a male attitude to have than a woman. on the whole women in this company hold a very professional timbre to themselves but they also all adopt very much a male role in relation to their careers and taking care of business (p. 46). Generally women want to settle and start a family, but because they are such business-like women they do not see the need of this and find themselves already fulfilled with their high ranking, successful jobs.Additionally none of the co-workers, like Marlene, are true top girls. They have adopted male behavior instead of developing their own woman inspired role models. They have not excelled in anything besides their career.What is also fallacious about these top girls is that they do not see me n as equals at all and at times discuss their male clients with the term pretty (p. 50). This presents us with their very degrading view of how they see men in the business environs however it also shows that they have enough confidence to address men in these terms.One of the aims of the Womans Liberation movement in the 1970s was to change the terminology used to address women such as, baby, sweetie, girl, bird Interestingly enough these top girls, in the play, use the same terminology to call individually other (p. 48, 64). It seems that to them it is ok to call each other these terms but not to have men call them that which defeats the purpose of female e tonus and gives a sense of female superiority. You could also say that these top girls do not consider themselves as women but see themselves as successful people so they do not fall in the form of women fighting for/supporting that issue.Although all woman in the play, after the depression act, that are considered as top g irls are woman who have excelled in their career you could argue that Joyce, Marlenes sister, is somewhat a top girl herself. notwithstanding the fact of not having a successful career she is the only character in the play that tries to manage her responsibilities. She has several different jobs, is raising her sisters child and still holds the responsibility of checking on her mother, like she informs Marlene somebody has to (p. 79).The origin place setting in the play shows what true top girls were before the feminist movement. It reveals the obstacles that they had to flood out and the freedom that woman nowadays have and take for granted. The women in the first scene are all women who have suffered in some way and have succeeded in being great without the need of going over other women to get there. They succeeded in the dominate-male world they lived in. This is the opposite of how Marlene has succeeded. Marlene succeeded at the expense of other woman.In Act 1 Marlene raise s a toast To our braveness and the way we changed our lives and our extraordinary achievements (p. 13). The use of we and our are very significant it shows that Marlene considers herself as a woman who has struggled for her success but that has finally gained personal fulfillment. On the contrary, the other women have been through much more than Marlene ever did. These bypast woman are the true top girls who have been through it all in order for the next generations of woman to be free and independent.It is tangency that the only top girl that was obedient to men, Griselda, is the only one who is quick and pleased in her life. You could say that Griselda shows that virtue is its own reward. Marlene never waited for things and made things happen herself which leads to an intriguing comparison between these characters. Griselda obeyed and waited and in the end is core and happy, while Marlene created her own success but abandoned other of the essence(predicate) things in her lif e to get there and is now unsatisfied. You see Marlenes dissatisfaction throughout the whole play, with her drinking, having abortions, not finding a suitable man and stressful to make amends with her sister.In conclusion, the title is called Top girls with an S. The play explores the different versions of top girls in different eras. These distinct versions of top girls demonstrates the smorgasbord of womankind. The play demonstrates that women do not have only one quality or one thing that characterizes them like career women, wives, mothers, daughters or sisters they are complex individuals like any human being and have to play false priorities and responsibilities to achieve what they consider to fulfill themselves. These varieties of qualities that women have and that are able to juggle with in life are what should make them a true top girl.Word count